This crossover between scientific instrument and marvellous gadget is explored in the splendid book Devices of Wonder by Barbara Maria Stafford and Frances Terpak (which, curses, I am now itching to find among my piles of books). Automata obviously fall into this category: simultaneously a form of entertainment, a demonstration of the maker’s skill (many were watchmakers), and an embodiment of the Cartesian notion of body as machine. Perhaps it is in this regard that the instruments of science have changed since the seventeenth century: back then, they were inclined as much to be an illustration of a theory as they were a means of testing it. They were – some were – ‘presentation devices’, so that elegance enhanced their persuasive power. There’s more to be said on this – I’d like to examine the issues for the nineteenth century in particular.
Instruments: a postscript
This crossover between scientific instrument and marvellous gadget is explored in the splendid book Devices of Wonder by Barbara Maria Stafford and Frances Terpak (which, curses, I am now itching to find among my piles of books). Automata obviously fall into this category: simultaneously a form of entertainment, a demonstration of the maker’s skill (many were watchmakers), and an embodiment of the Cartesian notion of body as machine. Perhaps it is in this regard that the instruments of science have changed since the seventeenth century: back then, they were inclined as much to be an illustration of a theory as they were a means of testing it. They were – some were – ‘presentation devices’, so that elegance enhanced their persuasive power. There’s more to be said on this – I’d like to examine the issues for the nineteenth century in particular.